Who Made The Church (1989)

1. The Church (1989) | Horror Film Wiki - Fandom

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The Church (Italian title: La chiesa), also known as Cathedral of Demons or Demon Cathedral, is a 1989 Italian horror film directed by Michele Soavi. It was produced by Dario Argento with Mario Cecchi Gori and Vittorio Cecchi Gori, and written by Argento, Soavi, Franco Ferrini, Dardano Sacchetti, Lamberto and Fabrizio Bava. It stars Hugh Quarshie, Tomas Arana, Barbara Cupisti, Asia Argento, Feodor Chaliapin, Jr. and Giovanni Lombardo Radice. In medieval Germany, the Teutonic Knights massacre a v

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In a Gothic cathedral built on the mass grave of a Teutonic purge, an ancient discovery will release an unholy maelstrom of madness

Jun 22, 2024 · Since I brought up Asia Argento I have to add that this is an Argento production directed by Michele Soavi, who was an actor in a lot of Italian ...
This is yet another movie that I’ve been trying to finish watching for about 15 years. It’s not such a terrible movie, it’s just that I always seem to put it on at night and then …

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In medieval times, a band of crusaders massacre a village of supposed devil-worshippers and build a large cathedral atop the mass grave to keep the evil sealed within.

The Church (or La Chiesa in the original) is a 1989 Italian horror film written and produced by Dario Argento and directed by Michele Soavi.
The Church (or La Chiesa in the original) is a 1989 Italian horror film written and produced by Dario Argento and directed by Michele Soavi. In The Middle Ages a village of accused heretics and witches are slaughtered by the The Teutonic Knights …

Oh, Dario Argento "presented" this, did he? Well Michele Soavi directed it and he opened it with a sequence where horses kick a decapitated head like a soccer ...
In a Gothic cathedral built on the mass grave of a Teutonic purge, an ancient discovery by the new librarian will release an unholy maelstrom of madness, violence and demonic vengeance.

Apr 14, 2024 · The Church (1989) – Michele Soavi · Share this: · Related.
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Lamberto Bava stepped out of the director’s chair for Michele Soavi, but remained heavily involved in the production alongside Dario Argento. It was originally supposed to be a third entry in…

... built on the mass grave of a Teutonic purge, an ancient discovery by the new ... The Church [Blu-ray].
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The Church (Italian: La Chiesa) is a 1989 Italian supernatural horror film co-written and directed by Michele Soavi, and produced by Dario Argento with Mario Cecchi Gori and Vittorio Cecchi Gori. It stars Hugh Quarshie, Tomas Arana, Barbara Cupisti, Asia Argento, Feodor Chaliapin, Jr. and Giovanni Lombardo Radice. The Church was originally conceived as the third installment in the Dèmoni series, following Demons and Demons 2. Soavi insisted the film to be distant from the series, wanting it to b

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In The Church (1989), the historic brutality of the Church serves as a source of horror and a thin barricade protecting the us from evil.

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In Brief: Michele Soavi's 1989 film was originally intended to be part of producer and co-writer Dario Argento's loosely connected Demons movies. While it retains elements of those films — especially contagious possessions and trapping the cast in a single location — it is mostly its own beast. And a very curious beast it is. Like most Italian horror, it doesn't make a lot of sense, nor does it try to. It's mostly a collection of fairly grisly horror scenes hooked together by a slim plot concerning the awakening of demons imprisoned beneath the foundations of an old church. Visually, the film is very striking, and it manages to build a strong sense of dread. But viewers expecting a film on a par with Soavi's Cemetery Man (1994) may be somewhat disappointed. It is fair to say, however, that The Church offers its own stylish — and silly — horror delights.

Dec 31, 2015 · Adding to the confusion, Bava did not direct La chiesa; it was instead directed by Michele Soavi, another member of that generation of Italian ...
Following the completion of my Dario Argento project, I felt myself suffering from a distinct lack of Argento in my life. As such, I had to try and fill this lack with some of his other work. Upon …